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Sunday, July 18, 2010

Pin-Up Style Photography crosses Generational Gaps

If someone says pin-up style photography, it is not uncommon for black and white images to fill the mind's eye. These images feature classic movie actresses in striking poses. Pin-up style photography offered American soldiers a sweetheart to talk to, dream of and reason to survive. The most famous of these pin-up style photography images appeared in 1941.

Betty Grable occupies the position of having been the first woman in Hollywood to be a box-office draw all by herself. Yet it wasn't just her talent that appealed, but her innocence and sensuality that reached out of silver screens and black and white photos. Her debut in pin-up style photography came in 1941 when the shapely image of her appeared, looking over one shoulder dressed in a silver bathing suit and heels.

This pin-up style photography image became a pop cultural icon for the World War II generation. The lady's great gams, her soft smile and her teasing gaze helped more than one GI survive the terrible depression and uncertainty of fighting a war so far from home. While there are numerous actresses in the 1940s who posed for similar pin-ups, Grable's image endures and remains recognizable even three or four generations later, whether they know the actresses name or not.

After the war, pin-up style photography continued featuring famous and non-famous personalities. By the 1980s, teen magazines offered pull-out posters in the tradition of pin-up style photography that allowed pre-teens and teens to decorate their rooms with images of their heroes, crushes, stars and icons.

While it is likely that a pin-up of Shaun Cassidy in the 70s, Duran Duran in the 80s and Teri Hatcher in the 90s have a completely different impact on their audiences as Grable did in the 40s, they share a common theme. They are the images that their audiences want to see. Pin-up style photography helped GIs combat the loneliness of war and pin-ups in the 70s, 80s and 90s helped teenagers look outside themselves. Despite the generational and emotional gaps, the common denominator is finding comfort, solace, inspiration and perhaps even hope in an image made possible by pin-up style photography. Grable's image will endure because she was one of the first to impact a nation, but with the ever-growing evolution of images in the world, she will not be the last.

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Friday, July 16, 2010

Photography The Female Body Form Dares To Look Past The Cover

Photography the female body form invites the modern world to abandon media and pop culture induced ideals of femininity. While the women's rights movements over the last two centuries netted the power of voting, there are still stiff views of what is to be female perpetuated through media marketing of 'girls' toys and 'girls' activities. Photography the female body form observes these disparities by throwing focus away from the mass media images and challenging their authority. Imagine a world where preconceptions became a matter to be discussed only in history of psychology texts. Photography the female body form donates valuable insight into that world of possibility.

In a world where single parent homes have become an unquestioned normality, the limitations imposed by the past continue to mark each new generation. Single mothers with young sons reject the idea of giving them dolls or babies with which to play, yet are encouraged to shower such gifts on female children. Male children are encouraged to play sports, whether they enjoy the idea or not. The sexual segregation begins as early as a child's first real toys and continues as a form of gender conditioning. Photography the female body form challenges this conditioning, but it is a steep and uphill battle.

Overcoming decades of object value may seem overachieving for photography the female body form. However, the conditioning that primed children to accept their gender roles, also primes them to view the world through the narrowed lens of popular culture. The average parent will teach their children right from wrong, how to look both ways before crossing a street, how to say their alphabet and even to throw a ball. The average parent doesn't usually introduce controversial concepts of beauty, thought, social awareness and humanities

It is a mistake to believe that a person's gender identity is the only core value of their personality. Yet, the gender identity --- the cover of the book --- is what is judged often with a quick, if dismissive glance. Photography the female body form demands that people look beyond the cover to what exists inside. A person's beauty, personality, personal value and even their sexuality is determined by a combination of their race, religion, economic status, cultural bias and the relationships they've possessed with people in their life.

Photography the female body form cannot overcome decades of conditioning in one fell swoop. Photography the female body form will likely not even slay these particular demons in the next few decades. Yet, the existence challenges preconceived ideas and offers a different opinion. If only one person learns to think beyond another's looks for each photograph taken in this field, then that is one person more to help teach others. Decades ago, the social ideas of today would have seemed alien, so perhaps in a few more decades those last dregs of the past will finally seem alien to the modern world.

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Thursday, July 15, 2010

Photography San Diego Family Values Memories

Photography San Diego family deals in cherished family keepsakes reflecting Southern California's casual style. With so many attractions in the area for residents and tourists, photography San Diego family portraits offered by local studios feature packages for everyone.

Studios for photography San Diego family such as San Diego Barefoot Memories and Jobson's Photography advertise their investment in capturing memories for families. These photographers offer work aimed to capture the essence of not only the people they photograph, but also the city of San Diego itself. Their packages include online, email and snail mail contacts, so families on vacation do not have to worry about receiving either their proofs or their final selection of photographs.

Memories are a product of life experiences. Imagine a vacation that included the San Diego zoo, Balboa Park, Sea World, the beach and a family photo set against a fiery sunset sinking into the sea. This photography San Diego family portrait hanging framed in a prominent place would serve to forever recall that vacation.

So many vacation photographs get tucked into their envelopes or photo albums to be forgotten. Photography San Diego family offers opportunities to capture precious moments designed to never be forgotten. The right photographer will take the time to get to know the family, to listen to them, observe them and plan their photo shoot accordingly. The spontaneity of beach photographs, casual clothes and the family content and relaxed after a day of fun and exploration cannot be replicated in a studio setting.

Photography San Diego family offers the same opportunities to residents and locals as it does to tourists. Why go to the expense of a mall visit, wrestling with the kids, waiting in line and crossing fingers that the shutterbug's vapid five-minute attention span will get everyone's cooperation? Plan a lazy day at the beach and invite a photography San Diego family portrait photographer along. The initial investment may seem high for some families, but comparing the quality of a memory cannot be priced. Photography San Diego family focuses on the importance of the family's personality against the backdrop of a beautiful city and area.

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Thursday, July 8, 2010

Homoerotic Photography Is A Personal Experience

The assumptions of homoerotic photography prompt feelings of discomfort in some individuals. Homoerotic photography, as with all art, is a direct personal experience that is open to interpretation. The interpretation is not limited to the photographer. The photographer possesses an understanding of the picture they took. The photographer decides on everything from the composition to the subject. Artistically, the photographer attempts to capture on film a sense of being, emotional, physical or intellectual, through their choices.

The discomforting problems that viewers of homoerotic photography grapple with are their own experiences. While it may be argued that knowing exactly what the photographer was thinking or doing when they took the pictures may help a viewer appreciate the picture, it simply doesn't matter. Art appreciation is a completely individual experience. The viewer of a photograph may feel everything the photographer intended or nothing or something in between.

No matter the form that art takes, the individual experience is a combination of reaction, provocation and response. The response to homoerotic photography does not have to be positive or negative. A mixed response to a composition that requires thought afterwards is provocative, because likely this is the photograph that will be remembered.

Unfortunately, in modern conservative circles erotic is synonymous with pornographic. The difference considered negligible by some is that homoerotic photography utilizes emotion, embraces it, promotes it and typically provokes it. The sensations associated with the erotic are usually confined to sensual and intimate moments, between lovers. Pornography has no emotional ingredient and demands none in return. Pornography is simply about the physical, naked in a rawness that serves only to devolve humanity to lustful urges.

Homoerotic photography involves nudes both solitary and in groups, young and old, male and female. It is not solely dedicated to nudist or naturist images, however. A woman leans against the side of a window. A sheer curtain billows out from a faint breeze, both accentuates and hides her nudity. The long legs disappear into shadow and there is only a hint of light outside. The woman's expression is a mixture of regret and yearning. This example of homoerotic photography asks whom is she waiting for and will they ever come. Is it a forbidden lover, a lost husband or a love not yet experienced?

At its best, homoerotic photography elicits an immediate emotional response and the mind of the viewer is then allowed to ask the questions or make up the answers that satisfy them. So which answer is the right one? The one the photographer understood? The one the viewer assumes? Or a third alternative altogether? In homoerotic photography, they are all the right answer. Because the right answer is the answer the individual experiences, intended or not.

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Homoerotic Photography Is A Personal Experience

The assumptions of homoerotic photography prompt feelings of discomfort in some individuals. Homoerotic photography, as with all art, is a direct personal experience that is open to interpretation. The interpretation is not limited to the photographer. The photographer possesses an understanding of the picture they took. The photographer decides on everything from the composition to the subject. Artistically, the photographer attempts to capture on film a sense of being, emotional, physical or intellectual, through their choices.

The discomforting problems that viewers of homoerotic photography grapple with are their own experiences. While it may be argued that knowing exactly what the photographer was thinking or doing when they took the pictures may help a viewer appreciate the picture, it simply doesn't matter. Art appreciation is a completely individual experience. The viewer of a photograph may feel everything the photographer intended or nothing or something in between.

No matter the form that art takes, the individual experience is a combination of reaction, provocation and response. The response to homoerotic photography does not have to be positive or negative. A mixed response to a composition that requires thought afterwards is provocative, because likely this is the photograph that will be remembered.

Unfortunately, in modern conservative circles erotic is synonymous with pornographic. The difference considered negligible by some is that homoerotic photography utilizes emotion, embraces it, promotes it and typically provokes it. The sensations associated with the erotic are usually confined to sensual and intimate moments, between lovers. Pornography has no emotional ingredient and demands none in return. Pornography is simply about the physical, naked in a rawness that serves only to devolve humanity to lustful urges.

Homoerotic photography involves nudes both solitary and in groups, young and old, male and female. It is not solely dedicated to nudist or naturist images, however. A woman leans against the side of a window. A sheer curtain billows out from a faint breeze, both accentuates and hides her nudity. The long legs disappear into shadow and there is only a hint of light outside. The woman's expression is a mixture of regret and yearning. This example of homoerotic photography asks whom is she waiting for and will they ever come. Is it a forbidden lover, a lost husband or a love not yet experienced?

At its best, homoerotic photography elicits an immediate emotional response and the mind of the viewer is then allowed to ask the questions or make up the answers that satisfy them. So which answer is the right one? The one the photographer understood? The one the viewer assumes? Or a third alternative altogether? In homoerotic photography, they are all the right answer. Because the right answer is the answer the individual experiences, intended or not.

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Wednesday, July 7, 2010

Jobs Employment Commercial Photography Are Popular

Jobs employment commercial photography recognizes the power of capturing an image. It can be scanned, digitized, manipulated or retouched. It requires both technical skills and artistry. Jobs employment commercial photography requires perspective, composition, creative vision and increased technical superiority. Capturing the image is just the first step for photographers interested in jobs employment commercial photography.

Searching the Internet provides hundreds of opportunities for jobs employment commercial photography. Commercial fields include fine arts photography, photojournalism, commercial news photography, portrait photography, marketing photography, industrial photography and scientific photography. The options are filled with diversity for both the photographer and the photograph.

The most well known jobs in commercial photography are the photojournalist and the commercial news photographer. Commercial news photographers capture an image for a story. The image illustrates a point or a person interviewed. A story of the passing of Pope John Paul II may share column inches with a photograph of the Vatican in mourning. The photojournalist is not just about events or famous people, but finding the image that tells the story. Photojournalists require few if any words to convey the tale their photographs tell. A sub-category of commercial news photographers is the tabloid news photographers or paparazzi. They excel at capturing images of the rich or famous in compromising positions by shadowing their moves. The paparazzi have a bad reputation in photojournalism.

Commercial marketing and advertising photography fills the covers of books, advertisements, posters and more. Other jobs in commercial photography like scientific photography focus on images used to document scientific procedure and medical records. The forensics photographer at the scene of the crime is involved in scientific photography. Scientific photographers require an understanding of science and medicine to a degree.

There are so many options available in jobs in commercial photography that benefit from education in other fields. It's important for students aspiring for jobs in commercial photography that they learn what is required or needed to excel in one area or another. More than fifty percent of photographers work freelance. Photographers that are not limited to a discipline may choose to work freelance for both financial and personal reasons. The art of photography and jobs in commercial photography compliment the medium and the people who use it.

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Friday, July 2, 2010

Girl Photography Is About Emotion

The amusing part of girl photography is the blatant and immediate thought the two words provoke when used simultaneously. Girl photography is often associated with pornographic material. While pornography is usually limited to women (because pornography dealing with small children is both obscene and objectionable on all levels) in this connotation of photographing 'girls,' the truth is girl photography is about photographing females at all ages, young and old.

Kim Anderson and Anne Geddes are two extremely artistic photographers that are very well known for their pictures featuring children and adults. For Anderson, girl photography involves black and white photographs, which use their stark nature to contrast with the warm subject, usually a child or children. In Anderson's photography, the children may be dressed up in a type of period clothing or simply garmented in comfortable, modern clothes. The clothing has less to do with Anderson's photography than the children and the setting. The contrasts of Anderson's style with similar work is the focal point of Anderson's camera is on the warmth that radiates from the child, often giving the child color in the midst of the black and white panorama.

Anne Geddes, known very well for her pictures of infants, uses girl photography in still a different fashion. Her subjects, often very tiny toddlers or babies are dressed up, posed or caught in candid moments. Geddes photography is in equal parts about the child and the setting. Geddes may use a baby-sitting in an oversized champagne flute with a party hat on or a sleeping infant, cuddled up in a pet bed to equal effect.

For both women, girl photography is about evoking emotion and less about recognition. While the subjects of their photographs may be known faces, chances are good the recognition factor is limited to the families of the subjects. Emotion in girl photography can make the audience smile widely, laugh or even frown. In some of Anderson's works, the subject of the girl photography doesn't necessarily smile, but rather looks pensively elsewhere. It is in these thoughtful, candid moments that it transcends simply photographs and becomes an art form.

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