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Tuesday, January 1, 2008

DC Photography Blends The Image.

Politics, history, theater and business mix together in DC photography. Considered the seat of power in the United States, the capital area of Washington D.C. boasts a variety of images. DC photography blends images as disparate as a child's hand reaching up to touch the statue of Abraham Lincoln at Lincoln Memorial to the homeless man sleeping on a bench near the Vietnam War Memorial. DC photography includes the architectural styles designed to inject awe in visitors as well as the crumbling sidewalks and buildings that comprise the homes of the underprivileged.

Pictures of the President and the White House may seem like the poster children for DC photography, but they are only the tip of the iceberg. There is a thriving theater district inside and outside of the main city. Travel from Northern Virginia and Southern Maryland are easy commutes, binding the two states and the capital into a larger picture. The United States government may be the largest employer in the area, but not the only one.

Pastoral scenes are not unheard of in DC photography either. Whether captured images for postcards in the Smithsonian or a few miles outside of the city in the greener areas of Maryland and Virginia's countryside. Horses, boats, politicians, police, the mayor, the President, the capital building, Congress and the children are all vital elements that enrich and inhabit this area.

DC photography shows both the glossy and the dingy finishes of arguably one of the world's wealthiest nations. Comparing the dichotomous images present in the capital expresses a deeper schism in the social consciousness of a nation. Imagining the world through the eyes of the camera shows both the flawed beauty and the spirit that alternately soars and plummets.

It cannot be an error that makes DC photography so unique. Observers of human nature might suggest that what is seen is only what someone wants to be seen, but that would be weak excuse. DC photography works much like an old buffalo nickel, dented, aged, dark on one side, stripped on another, but inherently valuable for all the components. No matter what extreme is captured by DC photography, understanding the people, the city and the nation are richer for the experience.

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