Monday, June 29, 2009

Fine Art Photography Models More Than Self

Fine art photography models the difference between commercialization and dedication to an art form. This distinction is not intended in any way to diminish the work of photojournalists, fashion photographers and other commercially employed camera jockeys. The reasons why fine art photography models this contrast lay more in the reasons for the photographs than in the subject of the photograph. For example, fine art photography models a devotion to the concept of art, not the commercially generated rewards that art might offer.

The problem a layman and even some photographers have with what fine art photography models is that the definition itself is fluid. The reason is very simple; the definition of art is fluid. When someone thinks about art, they immediately envision visual arts - paintings, photographs, sculpture and in some instances, architecture. The confusion is based on the fact that the concept of art has changed, regularly over the millennia.

Fine art photography models the creative impulse. It is the desire to create something out of nothing or to alter, subtly or definitively, one thing into another. Art itself is not just about the visual, but all the senses. A gourmet meal is art for the palate. A beautiful perfume is art for the nose. A soaring symphony is art for the ears. A thick, plush rug can be art for the tips of the fingers or the soles of the feet. Art is generic and specific and limited and unlimited.

Humans are exceptionally creative beings. They manufacture tools from bits of bark, clothing from plants and learned how to rub two sticks together to make fire. This fantastic creative ability exists in some degree in all people, so what is it that sparks art? Since survival and procreation are human functional necessities, the excess of this creative energy pours into endeavors that neither fill the belly nor renew the species. Fine art photography models this ideal, giving life to food for the mind and the soul.

In a perfect world, fine art photography models dreams or desires. It touches on ideas never thought or emotions that lurk beneath the surface. Fine art photography models the compelling nature of being human. Fine art photography models the divine, the known and the unknown, the inescapable existence of something more than self.

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Friday, June 26, 2009

Female Body in Photography Embraces Evolution

The female body in photography is neither a new concept nor a particularly radical one. The female body in photography evolved from the feminine form in art. Since females make up more then 50 percent of the species, it's not at all surprising that the female body in photography receives prominent notice.

The female body in photography covers a whole host of categories as well. The idealization of the feminine form can be found in fashion magazines that feature the trendiest new designs on the hottest young models. The idealization of the feminine form can be found in movie magazines about the escapades of actors and actresses. This idealization of the feminine form is present in soap opera magazines where a photogenic body is every bit as important to the storyline as the ability to act.

In the evolution of art, the female body in photography is merely the latest medium to embrace the feminine form. The paparazzi, of all photographers, work doubly hard at attaining the perfect picture of the famous or infamous in scandalous escapades in order to sell more newspapers. While it may seem cliché to classify all paparazzi as crude in their attempts at to capture scandal on film, it is true that they are guilty of objectifying the women whose images they are trying to capture.

Photographs of a topless Sarah Ferguson grabbed interest from tabloid magazines, newspapers and photographers seeking to provide the most reckless viewpoint. The female body in photography should be about the whole person, not just the quick buck that can be made.

It's more than just royalty that are objectified as a female body in photography by the paparazzi, but they are the best examples. But the female body in photography can do more than sell clothes, make-up, cars or trash. The female body in photography can raise the social consciousness, engender sympathy and even raise money for worthy causes. Profound images of women that graced magazine covers over the last two decades include Princess Diana, Margaret Thatcher, Mother Theresa, and a young Afghan girl whose image haunted the world not only for her vivid beauty, but also for the innocence amidst a war.

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Thursday, June 25, 2009

Cheerleading Event Photography Catches The Action

Cheerleading event photography is considered one of the last forms of true photography. The challenge lies in capturing a dynamic moments that pass in the blink of eye with no preparation or set up. The photographer engaged in cheerleader event photography must view the event with constant awareness, because without vigilance action will be missed.

Equipment is important for cheerleader event photography. A fast camera, a telephoto lens, a tripod and even extra cameras are standard. The fast shutter on a camera is necessary because the events and the cheerleaders are constantly in motion. Standard cameras can waste entire rolls of film trying to catch just one moment of clarity.

Professionals cannot afford to waste so many frames. An average event may generate two or three hundred shots, if not more. With all the teams that compete regional, state and national levels, that number can grow. Most cheerleader event photography benefits from outdoor competitions, but when they take place indoors, the photographer must then cope with lighting levels. Location is always an affect on photography, but imagine trying to capture the best shots in a high school gymnasium where the lighting makes even healthy people look sallow.

Mastering the art of cheerleader event photography means that the photographer is always on the lookout for the next shot. With one eye affixed to the viewfinder, they survey constantly. A misstep, a tumble, a graceful toss or even a series showing a collapsing pyramid and heart broken expressions can tell a story without a single line of copy edit.

Cheerleader event photography is about catching the action in the moment. It takes good equipment and an even better eye. Yet, even with the best equipment and the practiced eye, cheerleader event photography requires that the photographer understand the sport. Someone who has never seen a cheerleading competition may not understand the significance of a toe inching over the white line. Experience and understanding teach the photographer signs to watch for and expect. Some of the best photojournalists in the world anticipate the shot, recognizing the factors they've seen before as they pass by in seconds. Instinct, talent and experience are the best ingredients for a photographer to be successful in cheerleader event photography.

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Wednesday, June 24, 2009

Boudoir Photography Girls Yields Connections

Boudoir photography girls are not models or actresses. They might have a career as a model or an actress. But in general boudoir photography girls are not professionals. They are everyday women looking for something a bit different, a bit spicier and sometimes something just a bit closer to which they feel they are on the inside.

A job that specializes in boudoir photography girls may seem like a great ticket. For the creative mind that looks beyond surface images, then it could well be that ticket. Professional photography requires intense personality and accessibility to others. The popular image of the terse, abrasive genius who's only put up with because his work is 'extraordinary' and 'indescribable' wouldn't really last that long in this business.

In every form of photography, including boudoir photography girls, the person behind the camera must develop a relationship with the subject of the picture. This doesn't mean they are going to date or have an interpersonal relationship, but a connection that is absolutely integral to the work. The connection isn't a 'till death do part' variety. Some connections will be shallower than others. The person photographing a house for an ad doesn't need to have lived there, he just needs to see it for a moment the way he would if he 'wanted' to live there.

Being able to see something from another perspective is what separates the good photographers from the great. A great photographer doesn't have to desire a woman to capture the look he would see if he did in boudoir photography girls. He doesn't have to be in love with her to soften the focus, blurring the lines between reality and fantasy. With his or her ability to see another's emotional perspective, to truly imagine how a look or a picture would make another feel is a gift.

That is how boudoir photography girls can take the ordinary and make it extraordinary. It can be inconceivable to some people that a picture, so obviously filled with emotional energy and provocatively posed, doesn't reflect in some fashion the photographer's real feelings. Yet the passion displayed in boudoir photography girls should not be confused with lust. Nor should it be confused with a crush between photographer and client. The real passion is the product of the photographer's intense feelings for their work. Passion, compassion, imagination and creativity are the ingredients that reveal the inner woman in boudoir photography girls.

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Tuesday, June 23, 2009

Body Photography Creates A Wealth Of Opportunities

Body photography is another arena in which the artist or photographer uses pictures to convey a message or thought. For example, Allan Teger uses body photography in a unique fashion Teger's technique involves using nude figures to give an impression of being landscape. The images of Teger's work are sensual without being exploitive and interesting to say the least. His portfolio includes images of a naked male or female becoming a golf course, a fishing hole, a ski slope or even a highway where cars, motorcycles or horses can go. Teger's work in body photography is unique because the photos are not about the body itself, but the use of the body in the material.

Other forms of body photography include blended or morphed photographs that were manipulated to show two bodies, back to back, but a part of each other. Popular subjects for photographers in this field include athletes and dancers because the human body is an endlessly fascinating subject for artists.

The use of body photography is not limited to just the art world. An alternative method involving the same techniques is also known as body mapping, has gained recognition and widespread use by physicians including dermatologists, cosmetic surgeons and oncologists. The use of body mapping allows doctors to completely scan the surface of the body into a computer, to analyze anomalies or suspicious lesions. This mapping of the body into a computer helps physicians to determine the best places for reshaping the body as used in cosmetic surgery including tummy tucks, breast reductions or enlargements and sculpting of other areas.

The popularity of this method for body mapping extends beyond the medical arena to include digital body photography employed by special effects teams. Body photography and digital mapping allows animators to capture animal and human movement. Digital body photography can be used to help shape CGI effects such as Yoda in the Star Wars prequels and Gollum in Jackson's Tolkien saga. The use of digital photography is an important aspect of modern filmmaking where CGI effects though once costly are becoming more and more mainstreamed.

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Sunday, June 21, 2009

Artistic Photography Of Boys Looks For Links

Artistic photography of boys is not specifically nude photography although some artists have included nudes as a part of their work. The study of the body is very specific in Western Art circles. Artistic photography of boys includes the less common imaging of nudity, but the nudity itself is not the issue of these photographs. A boy's body is significantly different than a man's. Shoulders have not broadened, the chest is a not thick, arm and legs are leaner. The figure of a boy is not unlike the figure of a young girl, asexual despite their obvious differences in gender.

Baron von Gloudon, a titled and wealthy photographer, photographed young boys in a Sicilian village. His artistic photography of boys includes clothed and unclothed images of boys at rest, at work or in classical settings. Some images he utilized in his artistic works were disturbing in their use of a youthful, angelic face bearing hair teased into forming a pair of horns. The influence of satyrs in classical artistry meets Christian interpretations.

Utilizing young boys as models for a study 'life' allows for a variety of poses and viewpoints. Artistic photography of boys is often used as a euphemism with regard to child pornography, but the difference is the images in rendered by artists are life tales. The young boy sitting on a crumbling wall, his expression remote and his clothing threadbare and resting against his knee is a weapon that is nearly as large as he is. The provocative image is a study in contrasts.

The challenge to capture different viewpoints is the uses of light, contrasts, and setting and of course the models themselves. Artistic photography of boys can be cute as demonstrated in the collections used for calendars, coffee table books and the occasional print. However, unlike pictures of girls, artistic photography of boys takes advantage of the inherent promise to masculinity the boys possess. Even the nudes, asexual, classically posed or companion pieces where the boys are relaxing after a swim on an obviously hot day. These boys will become men, the question the poses, settings and models ask are what kind of men will they become? How does the youth scrambling in the field grow up to be a baseball player? A fireman? A criminal? A businessman? What separates the boy who is from the man he becomes and that is only one of the challenges in artistic photography of boys?

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Friday, June 19, 2009

Amateur Photography Nude Offers Intimate Portraits

The use of amateur photography nude is more of a private hobby than a type of occupation. It is not uncommon for spouses to take amateur photography nude of each other for personal reasons or simply for a thrill. Amateur photography nude spread quickly with the advent of easy to build web pages and high-speed access.

Although the appeal of amateur photography nude may just appear on the surface to be a cheap thrill, it actually caters to the more sensuous side of nature. Healthy sexual relationships allow adults to peel away inhibitions, including any discomfort a person may experience about nudity in private. Public nudity is still frowned upon by most legal authorities except in designated areas, so that is not usually considered a hang up worth worrying about.

Still the reason amateur photography nude is considered amateur is that it is the work of the layman, rather than professional photographer. These works are not generally for sale and intended primarily for private consumption, usually by the photographer and the subject of the photographs in questions.

In an age where digital pictures are easier to print out on a home computer, amateur photography nude has achieved another level of privacy. A major drawback for couples wanting to photograph each other was that fact that it involved handing the film over to someone at a shop or counter in a store to develop. The result, of course, was that at least one stranger, if not more, would be able to see the photographs.

The age of digital is a boon to the amateur photography nude hobbyists. Private photographs taken in private moments will remain private. Free of any inhibitions, this may allow couples to take more intimate or erotic images than they might have previously.

There is nothing morally wrong or objectionable about amateur photography nude between consenting adults. At the heart of any issue involving amateur photography nude is the issue of privacy and intimacy. So whether the hobby is a form of art, expression or intimacy, the digital age allows it to remain what it was when the photograph was taken: private.

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