Saturday, May 29, 2010

Photography Arlington Cemetery Salutes The Rules

Photography Arlington Cemetery refers to the rules and regulations imposed by the military on photographers and reporters. The family of military personnel interred at Arlington National Cemetery is entitled to privacy during funerals. Photography Arlington Cemetery imposes a rule that the media there to document a funeral remain in a cordoned off area. If the family allows their presence at the graveside, the Cemetery will bow to the wishes of the family.

There is an image in the national consciousness of a place filled with endless rows of white markers. These images are visible in numerous military films. Photography Arlington Cemetery acknowledges the quiet those white markers inspire in people, whether they actively know anyone interred there or not.

The Tomb of the Unknown Soldier is another image closely associated with photography Arlington Cemetery. Capitalizing on the heroic dead is distasteful, but documenting the reality of conflict, the reality of loss and the reality of the price paid by the men and women who serve their country and the family left behind is a valid argument.

Photography Arlington Cemetery can raise the awareness of a nation. It is permissible to question policy regarding conflict or war. The loss of life should be a factor the public understands, more than just a number in a headline, but the visual reminder can drive home the reality more than any fact or figure. People will argue that the dead are beyond caring and it is the family who should be protected. There are others who understand the power of exploitation of both. It should never be about money or fame or more papers, it should be about information and remembrance.

Countries should honor their dead, especially those slain in a conflict for that country. Photography Arlington Cemetery is about remembering the dead. It is about honoring them. Photography Arlington Cemetery should never exploit or twist the story. The images tell a truth and the truth should never be distorted for capitalist gain. The press, considered a morality check for the government, should be allowed to present the images in an effort to educate, not invade.